Pharos wing of the Museum of Old and New Art in Hobart, Tasmania
an installation at the Digital Graffiti Festival in Alys Beach, Florida
Levitated Mass sculpture in Los Angeles, California
Glenstone Museum in Potomac, Maryland
the Steilneset Memorial in Norway which marks the execution of several witches
L’Atelier des Lumières, an immersive digital art experience, Paris, France
Jardin Le domaine de Narcisse on the grounds of Chaumont-sur-Loire in France
images projected onto the Merchandise Mart building in Chicago, Illinois
installation by Chinese artist Ai Weiwei at the 55th Venice Biennale
Benesse House, Naoshima Japan
Maya Lin's "Wavefield" at Storm King Art Center in New Windsor, New York
street art in George Town in Penang Malaysia
the Dundee, Scotland branch of the Victoria and Albert Museum
the Meow Wolf immersive art experience in Santa Fe New Mexico
Arcosanti, an experimental town, in Mayer, Arizona
the Inhotim art park in Brumadinho, Brazil
an illuminated mural in San Francisco, California
the Lego House in Billund Denmark
Phillip K. Smith III's The Circle of Land and Sky, 2017 in Coachella, California
a mural in Atlanta Georgia, part of the Living Walls street art project
the Dubai World Art Fair
sculpture above the ocean, part of Sculpture By The Sea in Sydney, Australia
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Tasmania, AustraliaEccentric collector David Walsh presents mind-bending works at his Museum of Old and New Art. Its new wing, Pharos, stars immersive experiences by light artist James Turrell. In “Unseen Seen,” two visitors at a time sign waivers, climb into a large “egg,” and recline in kinetic color; in “Event Horizon” viewers stand in a cube-space where morphing light obliterates orientation.
 
Photograph by Mike Greenslade, Australia/Alamy Stock Photo

24 unconventional art destinations around the world

Think outside the typical museum box with these artful escapes.

ByJean Lawlor Cohen
February 22, 2019

Art is everywhere, breaking the rules and bursting beyond the boundaries of boxy museums. Cultural organizations large and small lead the charge by activating spaces and places outside of traditional galleries, theaters, and concert halls. Audiences, no longer content as mere spectators, are now part of the performance. Here are 24 electrifying ways to sense the creative energy.

Jean Lawlor Cohen is an editor, independent curator, and arts writer based in Washington, D.C.

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